Hush (2016)

Directed by Mike Flanagan

Written by Mike Flanagan, Kate Siegal

Starring: John Gallagher Jr., Kate Siegal, Michael Trucco

Rating: R

Run-Time: 1h22m

Genre: Horror, Thriller

Metacritic Score: 67%

This film has been in my suggestions on Netflix pretty much since it became available on there, and for whatever reason I never got around to watching it. It follows a storyline quite common in thrillers and, as a result, my first impression of it wasn’t the best. It’s a storyline that I actually enjoy, but as of late have been enjoying less because these films tend to be predictable. The characters aren’t always the smartest and the villain is sometimes so smart they barely come off as actual humans. 

To first address the predictability of this film, I must say that while it was at times quite predictable it was predictable in a good way. Now how can a film be predictable in a good way? For me it has to heavily to with the fact that, in the case of this film, the fact that I was able to predict the next moves of the characters didn’t detract from the event actually happening. Rather it added to the suspense of when will it happen. 

A surprising positive for the film was the production. I found that the film was shot well, and very easy to understand visually. The use of sound added to the general ambience of the story, making it more immersive and, for lack of a better word, stressful. 

The acting was better than I expected, especially from the antagonist played by John Gallagher Jr.. The few scenes in the beginning in which he is wearing a mask are a particularly good example of his acting ability, considering that even though most of his face was obscured by the mask it was still evident to the audience what was going on inside his head. They say true acting is having the ability to not only act the story out on the grand scale, but to be able to act with one’s eyes. This film is a good example of this. 

Ultimately I enjoyed the film. It actually had me at the edge of my seat, cursing under my breath in shock and practically bouncing in my seat in anticipation. Nowadays it’s hard to find a thriller that can evoke such a response, at least for me. Because of this I have no choice but to give this film the resoundingly high score of 90%. And I highly recommend you watch it if you are a fan of horror thrillers. This film is available on Netflix!

The Perfect Date (2019)

Directed by Chris Nelson

Starring: Noah Centineo, Laura Marano, Camila Mendes

Rating: TV-14

Run-Time: 1h 30m

Genre: Romantic Comedy

Rotten Tomatoes: 69%

Need a last-minute knight in shining armor? A plus-one Prince Charming? To make his dream come true, he’ll be anyone– except himself. (Netflix)

This is fun film. I really do enjoy it at it’s face value. It’s definately a good movie to watch when you don’t want to think to hard, which though some people consider this a bad thing I think it’s a good thing because that’s the whole purpose of movies in the first place. Isn’t it?

My main issues with the movie has to do with the tertiary characters. There were definately moments where you could tell that the actor was reciting lines, or maybe even reading lines shown to them from off screen. Some background actors blessed with lines obviously didn’t know what they were doing becuase you could tell they were trying to act a certain way. Technically-wise this was the films only true downfall. It’s cinematography was okay and got the point across. You honestly can’t expect anything groundbreaking from a teen rom-com.

My second main issue was the predictability of the story. Of course, the main love interest would be your not-so-average girl who rather go to a cafe-bookstore than a shool dance (which, same to be honest). Of course, the main guy would fall into insta-love with a random girl he doesn’t know. And, of course, the rando-rich-girl will be stuck up and break up with him for some petty bullshit. 

In the end I have to give the film a mediocre 70% rating. I enjoyed it and it’s definitely a fun Friday night movie to watch or put on in the background as you eat, but it’s not going to become a classic. 


By Kevin Panetta, Savanna Ganucheau (Illustrator)

Genre: YA, LGBT Romance

Avg. Rating: 4.18

Now that high school is over, Ari is dying to move to the big city with his ultra-hip band―if he can just persuade his dad to let him quit his job at their struggling family bakery. Though he loved working there as a kid, Ari cannot fathom a life wasting away over rising dough and hot ovens. But while interviewing candidates for his replacement, Ari meets Hector, an easygoing guy who loves baking as much as Ari wants to escape it. As they become closer over batches of bread, love is ready to bloom . . . that is if Ari doesn’t ruin everything. (Goodreads)

Most of what I enjoyed about this book, was the beauty in the simplicity of it. Though there is dialogue (which is well-written and easy to understand) I found the thing that really makes this graphic novel stand out is its illustration. It’s simpler, very much unlike some of the uber-popular traditional comics of today, but no less beautiful. With entire spreads void of words, the story is conveyed visually, motion conveyed between the panels and no dreaded over-articulation of character. A smile, drawn with the perfect amount of detail is all that is needed to tell you how a character feels. 

Honestly, I hope this is part of a series. It doesn’t have to be a long one, maybe only one more volume, because I sadly found the ending unsatisfying. Of course, it’s a happy one, that concludes the events of the story well, but for whatever reason, I found myself unsatisfied and wanting more. I don’t want to consider this a full-on downside, because it’s not going to stop me from reading a sequel if there ever is one, but for these very personal reasons a gave the book a lower rating, I admit, than it probably deserves: 3.9. 

If you are interested in reading this book, like all books, it is available on Amazon.

Pixie Dust: The End Reflection

I started writing Pixie Dust during NaNoWriMo 2018 and back then it was a very different love story. Originally it was written in Oisin’s point of view and followed him as he fell in love with a vampire named Nash. I wrote seven chapter’s of this version before I realized that it just wasn’t working. Not wanting to give up of the story I decided to go about it from a different angle and as a result, the shy-vampire Nash was put aside for the shy-human Riel in the current version. The story went from being Oisin struggling to come to terms with what it meant dating a nightwalker, to Riel struggling with being a human dating a member of the Elven community. The current version of the story is a great departure from the original idea and even though I personally am not particularly fond of this project, I much prefer the version it would become. 

My main issue with the book is how short it is and how little of the world is actually in it. The world has changed quite a bit since I started writing it that I honestly no longer Pixie Dust entirely canon in what I will call Fairytale AU. At the same time while writing it I was acutely aware that the story was primarily a romance, and with Riel being the main character I didn’t see much of a reason to include much, if any, magic. I wasn’t really in the mood to write a lot of action, but I also needed a break from the contemporary setting of my San Jaime universe, hence the Fairytale AU.

I’ve considered rewriting the story altogether and even though I have no plans on seeking further publication I don’t want to put it entirely off the table for my dream version to eventually become available on Wattpad. Please don’t get your hopes up though, I have a lot on my plate as it is right now. 

And even if I don’t revisit the story of Pixie Dust, trust there are still many stories to be told in the Fairytale AU. 

Now, I wouldn’t be surprised if I lot of people came over here to dear my opinion on the last couple of chapters. Well, all I can say is that it wasn’t meant to be. I honestly was a fan of Oisin and Riel, but as I wrote the story they, like many of my characters, veered off their written path. Like with life, it just wasn’t meant to be, but that doesn’t mean they couldn’t remain friends and find love elsewhere. Maybe, in some version of the story, it would be possible for them to stay together, but the way it was written today, it’s just not their fate.

Girls of Paper and Fire

By Natasha Ngan

Genre: YA LGBT Fantasy

Avg. Rating: 3.87

“I don’t want an easy life. I want a meaningful one.”

In this lush fantasy, Lei is a member of the Paper caste, the lowest and most oppressed class in Ikhara. She lives in a remote village with her father, where the decade-old trauma of watching her mother snatched by royal guards still haunts her. Now, the guards are back, and this time it’s Lei they’re after–the girl whose golden eyes have piqued the king’s interest.

Over weeks of training in the opulent but stifling palace, Lei and eight other girls learn the skills and charm that befit being a king’s consort. But Lei isn’t content to watch her fate consume her. Instead, she does the unthinkable–she falls in love. Her forbidden romance becomes enmeshed with an explosive plot that threatens the very foundation of Ikhara, and Lei, still the wide-eyed country girl at heart, must decide just how far she’s willing to go for justice and revenge. (Goodreads)

Its been a while since I’ve read this book, and though my memory of it is beginning to fade I still remember it fondly. It was the first book I had read in a while that I really enjoyed, and was one of the first fantasy books I’ve enjoyed in a few years. I’ve never really been a huge fan of fantasy (unless it is magical realism), but yet this book had me utterly enthralled in the world. So much so, there were times it overwhelmed me and I was forced to set the book down for a short time.

There are many great things about the book, but what made it stand out to me (other than the LGBT representation) was the exceptional world-building. I found the caste system in this book particularly interesting, with its heavy ties to species dictating the hierarchy. An allegory for race, that was inclusive and relatable to all readers. The real surprise was how well-developed and easy to understand it was upon first reading. It was easy to catch on the customs of this society without the book becoming lengthy to the point of absurdity. YA has a reputation for underdeveloped world building, the focus often put on the characters and the situation. While this book is very character heavy, it does a very good job of creating a realistic and understandable world. Not so fantastic that it’s unimaginable, but fantastic enough to allow the reader to escape the clutches of reality. The only downside is, especially at the beginning, the story seemed very info-dumpy. After reading the first few chapters I found my brain a little tired from absorbing so much. Regardless I enjoyed the world.

The true downside of the story, for me, was the characters. They were not bad, in the sense that I enjoyed reading about them, but they were not the best. The protagonist particularly often came off as inconsistent. She constantly went back and forth between being empowering and annoying in her indecisiveness. To be entirely honest, I found her love interest far more interesting, with a backstory more prone to action and with a certain amount of finality in her decisions and fate. Lei, the protagonist, on the other hand, lacked this. And though I understand why the author chose to focus the story on her, I struggled to relate to her constantly going back and forth between deciding to try to live happily and rebel. It is not an easy decision, I understand, but her belief that she had no hope of escaping her reality made her indecisiveness all the more annoying.

I have to admit, that I’ve already recommended this book to a few people because even though some aspects of the characters annoyed me, I still overall enjoyed it. Additionally, I gave it a resounding high rating on 4.7, higher than the average, because I will be definitely rereading it in the future. Additionally, I see myself pre-ordering the sequel when the option is made available.

If you are interested in reading this book, consider supporting your local library and checking it out, and of course, you can always find it on Amazon.

Pokemon: Detective Pikachu (2019)

Directed by Rob Letterman

Starring: Justice Smith, Ryan Reynolds, Kathryn Newton

Rating: PG

Genre: Action, Comedy

Rotten Tomatoes: 65%

The story begins when ace detective Harry Goodman goes mysteriously missing, prompting his 21-year-old son Tim to find out what happened. Aiding in the investigation is Harry’s former Pokémon partner, Detective Pikachu: a hilariously wise-cracking, adorable super-sleuth who is a puzzlement even to himself. Finding that they are uniquely equipped to communicate with one another, Tim and Pikachu join forces on a thrilling adventure to unravel the tangled mystery. Chasing clues together through the neon-lit streets of Ryme City – a sprawling, modern metropolis where humans and Pokémon live side by side in a hyper-realistic live-action world – they encounter a diverse cast of Pokémon characters and uncover a shocking plot that could destroy this peaceful co-existence and threaten the whole Pokémon universe. (Rotten Tomatoes)

So, after my review for Avengers: Endgame, I’ve decided to work smarter not harder (or in my case be lazy) and start inserting the film’s trailer and Rotten Tomatoes description in lieu of writing my own description.  If you would prefer me to go back to writing the description myself, feel free to leave a comment and I will take it into consideration. But for now, this is what you’re going to get.

Now, I am a Pokemon baby. I grew up during the height of Pokemon popularity, and therefore I have an unwavering appreciation and affection for the fictional creatures. And because I am definitely not the only one, I can’t realistically review this as a “children’s movie.” Because most of the children in the theatre were probably dragged there by their parents, who are my age. This is an adult movie, made for those who were around when Ash first started training to be a Pokemon trainer. You can not argue with me, because we all know I’m right.

Subjectively, I utterly enjoyed this movie. With every live-action Pokemon came the overwhelming jealousy of living in a Pokemon-less world where my dog is the closest thing I’ll ever get to a Eevee. The still alive child in me was excited at the sight of classics, such as the titular Pikachu, Charizard, Bulbasaur, and the all-powerful Mewtwo. Little nods to the OG fans, like the Jigglypuff in the diner made me smile ear-to-ear; and the all-too-familiar “pika-pika” melted my fragile heart. If you are like me, born of the Pokemon generation, stop reading this review and just go see the damn movie. You won’t regret it.

Like most people, I was taken aback by Pikachu talking with the overly-familiar vernacular of Deadpool, but once I was actually in the theatre I understood the pure genius behind it. After all, this isn’t a kid’s movie, its an adult movie (I will fight you if you still disagree). And for those who are likely going to force their children into the theatre with them, no worries. Pikachu just sounds like Deadpool with none of the colourful language. Additionally, the film does a good job of world-building without boring us Poke-gen kids out of our minds with stuff we already know.

The more objective film-reviewer in me still can’t really criticize this film because, in general, films marketed toward children are hard to criticise heavily. Most of the negative aspects of the film can be brought down to the fact that it’s meant for “children” and therefore the same level of writing is not needed when it comes to plot and characters. Because, to be entirely honest, I can’t remember the name of the protagonist without looking it up. And this may be because I was too preoccupied looking at all the Pokemon, but still. The plot is nothing to write home about, with a pretty cliche storyline and a twist that can be seen from a mile away; and none of the actors is going to win an Oscar for this film. The main redeemable quality is the CGI, which is well done throughout the film. Though the designers took some creative liberties to make the Pokemon come to life in this live-action world, they are still recognizable as exactly what they are. Textures, such as fur and skin, are rendered beautifully, and the film’s lighting allows the CGI to really shine. It’s a respectable adaption of a beloved franchise, that makes up for what it lacks in writing with its sheer entertainment value.

I whole-heartedly recommend this film for everyone, not just the Poke-gen kids like myself. If you are interested in seeing this film, as of publication of this review it is in theatres.

The Darkest Minds

By Alexandra Bracken

Genre: YA Dystopia

Avg. Rating: 4.21/5   

“‘Let’s carpe the hell out of this diem.’”

Superpowers. Sounds fun right?

Well, when you have to survive an unknown and extremely deadly disease in order to get these powers only to be segregated from society and essentially kept in concentration camps is far from fun.

Bracken’s The Darkest Minds Series begins with a very X-Men-esque scenario, as described above. After an unknown disease kills off the majority of the State’s children, only a relatively small percentage are left, but there were after effects to this illness. Those who survived would develop one of a five of abilities ranging from telekinesis to powerful telepathy. These abilities are assigned colours, which are later used to segregated its users, separating them into groups based on their potential threat level. Greens (those with enhanced intelligence) are considered the least dangerous, while the most dangerous include the Red (those with pyrokinesis) and the Orange (telepaths). The most dangerous of the group were often killed on the spot.

The follows an Orange, who against all odds, has survived many years in a “rehabilitation” camp under the guise of a Green. Upon rescue from the camp, she not only realizes just how much the outside world has changed, but she realizes for any true change to occur there are hard decisions ahead of her.

I enjoyed this book, for the most part, though I often found it to be a slower than usual read for a YA novel. This books also differs quite a bit from other dystopian YA in that it tends to take a bit more of a political standpoint on the subjects it presents, while still pandering to the action-filled expectations of it’s intended audience. With many parallels to the ever so popular superhero genre, this book does a good job setting itself apart from other superhero-based stories and succeeds in created characters who are multi-dimensional. The book spends a lot of time on character development, a lot more than you would expect from a YA novel coming at what some may be considered the current fall from grace of Dystopian Sci-Fi.

As I’ve already sort of alluded to I found the book to be a little slow at times with scenes that I did not find entirely necessary (though they did achieve what they were meant to.) My most notable problems with the book are subjective: because when it comes down to it I simply did not find many of the characters likeable. I often found that the protagonist tended to be inconsistent. The inconsistencies are, for the most part, excusable due to the circumstances of the driving plot. Regardless, I often became a little annoyed because the character seemed to have sudden unexplained bursts of a newfound confidence that didn’t quite seem appropriate.

The scoring system that I use is based on a few factors, but the primary fact is my willingness to reread the book and/or series. So far, I don’t have the desire to read this book again, but I am happy I read it because it wasn’t bad. It was entertaining enough to keep my interest. My final rating for this book will have to be a solid 4 out of 5.

If you are interested in this book it is, of course, available on Amazon, and very likely your local library.